Tag Archives: music

5 years of London does not equal 5 years of playlist

It’s time for my annual X (X being 5 this year!) years post in London post (well, almost a month over, but hey). This year I’ve made a Spotify playlist of music that I associate with London having listened to it whilst here, or as I’ve roughly titled it London’s Track Record.

The idea here is that these are the songs I most remember from the last 5 years, I’ve put it all in a rough order of when I listened to it first.
You can link straight to songs below, and I’ve whacked some comments alongside justifying my choices. Do please comment and nag if you need an invite for Spotify, I have some to spare.

Enjoy. I blame Pitchfork for making me get all musically retrospective with their P2K feature. Proper were the 00s a good decade for music posts to follow…

London’s Track Record

Ratatat – Spanish Armada

My main listenning on train south was Ratatat’s debut album which had obsessed me for a while, if I hear the last few songs I always feel like I’m heading south for some reason.

Fridge – Cut Up Piano and Xylophone

My initial commute to work was cross-town from my aunt’s house in Leytonstone. I found myself with a good hour or more to fill so would read and listen to music a lot in the mornings and evenings. One morning I was changing trains at Gospel Oak when I hit this track just as I descended the stairs to get the train. It felt weirdly apt and set me up for the day

Sufjan Stevens – John Wayne Gacy Jr

I doubt it’s possible to really have been an indie kid and missed Sufjan, but for a while I was rapt and remember spending a lot of my first London summer relaxing and listening to this whilst reading.

Continue reading

St Vincent – just a damn fine Actor

stvincentactor This week I have been mostly listening to the new St Vincent album, Actor. I originally tripped up over her first album Marry Me on emusic, having seen it reviewed on Pitchfork. Marry me was stuffed full of lengthy, wordy songs with her clear and crisp vocals matched with equally clear and crisp guitar and light orchestration which made it at times feel like some kind of Broadway musical. If anything frustrated me it was a slight lack of edge, but I still loved what was there.

Then, smack out came her new album Actor preceded by the single Actor Out Of Work, which hinted at but didn’t reveal the fine balance that the Actor would tread.


For St Vincent it’s indecently loud, with NOISE everywhere, little wonder the others in the music video are crying. There’s also distortion everywhere, and it’s distortion that this album really specialises in. [1. At times, having just installed a new sound card, I was getting concerned my drivers were installed wrongly and malfunctioning.] One track that’s really come to be my favourite is Marrow, where the noise and distortion is combined with horns to create a fascinating funky backing to the kind of pitying lyrics that I’m more used to hearing from male vocalists. [2. maybe because I listen to more of them]

In a rare move, critical judgement of this album is similarly positive elsewhere though I am perplexed by an NME review that seems little more than a list of name checks.

Royksopp's Junior has (awesome) J-Pop Roots

royk-junior

I’ve been really enjoying the new Röyksopp album Junior, and have been rather taken with a number of tracks which appear to me to have the spirit of the soundtrack of the Amiga game Lotus III within them.

One song that has rather caught me is track 3, Vision One. It has a really rather awesome glitchy synth sound (or sawtooth if you want to use a proper term and refer to the waveform). It’s also actually an English re-recording of a remix they made of the Japanese pop artist Eri Nobuchika, but not in a shitty Basshunter way (still got a soft spot for the original complete with IRC references).

Sing A Song / Royksopp I Kramsno_ Remix – Eri Nobuchika

The original also has a music video which is on YouTube, and you can start to hear where the remix came from.

Rather a beautiful video, too.

Edit The lyrics of the original are rather barking when translated directly, but the new English lyrics are remarkably close in theme.