Author Archives: Alex

frae Auld Reekie to the Big Smoke

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london-aerial

It’s three years this month since I moved down here to London. I’ve failed to mark this anniversary on here for the last two years, so this seems more significant than it could. Although it is interesting (to me, anyway) to note that I’ve spent the majority of my working life here.

Moving down here was a pretty short notice thing, I think I had two and a half weeks from accepting my new job to getting on the train south. Mostly that was my own choice, I was bored of my previous job and even more bored of Edinburgh, having by then spent 22 and a bit years growing up, getting educated, going mad, finding employment, dropping out and moving home and back again a few times. In all that time I’d never spent more than a fortnight or so away from home. So it was a big wrench on my life and even sense of self to move.

Many things struck me immediately upon my arrival. First I missed the hills, then I missed the beer, the cycling, the people, the atmosphere, the ability to walk or cycle out of town in an hour or two, essentially every single good thing that occurred to me. I’d brought my music and DVDs and computer with me along with enough clothes for about a week, I had to buy some cheap speakers about a week after my arrival to hear my music without the use of headphones. Washing clothes was a critical operation at that point, I’d have brought more but I had no funds to move with so I simply packed all I could into a large rucksack and a holdall. I had four books with me, that was rather annoying and meant I read any book I could get free at work for the first few months. Life was spent washing, working (9 hours or so), commuting home and to work (3 hours or so) sleeping and eating. On a good weekday I was lucky enough to catch the news before I fell asleep in front of the telly. It was a rude awakening having been used to a five minute cycle or ten minute jog or twenty minute walk to work. Whatever spare time I had was spent trying to find somewhere good to live, whilst marvelling at the fact that it appeared to be summer.

I stared at maps long and hard before concluding that the only way I could stay sane and keep working would be to cut my commute to half an hour or less. Eventually, nearly three months after arriving and on my 13th attempt I found a place in Hammersmith. Somewhere I have the journal which records in excited scrawl that it had the best bike parking space of anywhere I’ve seen which seemed important as I’d also realised I needed to get my bike down from up north as well. Over time I found that going home semi-regularly was essential, as it was a good chance to remind myself why I’d moved south but also to move more belongings. I still remember with great joy the point about seven months after moving down that I finally got the chance to bring down my speakers having finally saved enough money to buy an amplifier to use them with.

I’ve managed to stay in the same place here in Hammersmith ever since and both it and London have had a fair effect on me. I’ve picked up some terrible London habits like going to exhibitions on their last day, getting very good at ignoring people on public transport and taking the place for granted. On the other hand I’ve been to half a dozen or more Proms, dozens of concerts, seen some amazing art, seen a giant walking mechanical elephant, been knocked off my bike, eaten in many nice places, seen some amazingly awful films at SciFi London (and even more good ones, seen outstanding theatre at the Lyric Hammersmith (bottom of my road), discovered many great farmers markets and butchers (and been to Borough Market a few times), walked back through and from South and East London late a night without being killed, experienced a few terrorist incidents and one artistic bombing of my street, taken up gardening, started a compost heap, expanded my baking abilities, discovered previously hidden talents for buying clothes, seen many friends move here (and some leave), made new friends, got closer to my relatives (who other than my immediate family live around here), seen tube trains fly through the air, seen an engineering train on the tube and filled my house with books.

Which makes it all worthwhile. I still miss my old home, but I’d also miss here just as much if I left.

Big Screen Indie

As part of the continuing August gigs extravaganza I’ve seen two great American Indie bands, both of whom gained plenty of fame last year for contributing large potions of soundtracks for films that I completely failed to get around to seeing. First off was Spoon, who I came across via the excellent yet sadly cancelled US TV seriesVeronica Mars where they used their excellent I Turn My Camera On as backing to some late night telephoto snooping scenes, which was also used in the trailer for and actual soundtrack of the film Stranger Than Fiction.

Their set was lengthy, nearing two hours, and focussed largely on their most recent album Ga Ga Ga Ga Ga which I have enthused over before. However, they played lots of their earlier hits, and I’ve become completely besotted with Kill The Moonlight, one of their earlier albums thanks to their stunning live versions of Stay Don’t Go and Paper Tiger, and they opened with a great version of Small Stakes. Their whole sound is very tightly produced but their live act replicates and improves on almost all of it. Though I was disappointed that they didn’t play The Ghost Of You Lingers they did do a great You Got Yr Cherry Bomb even without horns.

In the days after I started listenning a lot to the music of Devotchka wondering to myself if when I saw them live they could possibly make their sound even approach the rich sound of their albums. I realised early on that unless they had some kind of virtuoso violin/accordion player, crazy drummer/trumpet player, powerful bass/sousaphone player and manic front man there wouldn’t be much chance of that. (you can guess that this is my kind of band already, can’t you?). However, from the very first bar of their theme song, Devotchka, it was clear that they were every bit the swaggering act you’d expect of a band that started as a backing troupe for the likes of Dita Von Teese.

There sadly aren’t many videos around online or live concert recordings that come close to capturing the experience of seeing Devotchka live, though this capture of them performing We’re Leaving (which I think was first encore) is not far off. I think they pull off bringing in Balkan and other eastern folk influences far better than Beirut or Gogol Bordello, though Beirut at least is always fun if a tad earnest.


How It Ends was easily their crowd pleaser of the evening, though I have a massive love for Queen Of The Surface Streets if only for having the lyric “that’s when I love the accommodations in a urine smelling transit station”. I’m simple that way.

And I haven’t even mentioned how well their singer plays the Theremin.

They Might Be Geeky

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There’s a really good two part interview with John Flansburgh (of They Might Be Giants) over at GearLog which lets him ramble over all kinds of technical topics. Most interesting of all is his talk of the early days of dial-a-song, their pre-answering machine phone service allowing their fans (and just the curious) to call and hear their latest songs. Kind of a proto-myspace.

The thing that was interesting doing Dial-a-Song was that we could find an audience in the daytime. They could experience our music at their jobs, on the phone.