Lucky Seven

Seven months ago I got run over on the streets of London for the second time.

Last week The Times launched a cycle safety campaign. Their Save Our Cyclists campaign has garnered plenty of support from cyclists including myself. I signed up and gave them a small summary of my experiences of cycling in London. They were nice enough to ask for more and ran the following paragraph as the experiences of one Alex Ingram of Hammersmith aged 30 who commutes daily to Kew Bridge:

In the seven years that I’ve been cycling in London I’ve been run over twice. My first accident was in 2007, at a T-junction. A young mother drove out of a side road and knocked me flying into the air. I was lucky — I was only bruised. My last accident was in July, when I was run over from behind by a pair on a stolen moped at a busy gyratory in Hammersmith. I’d been scraped across the road on my right-hand side. I was rather lucky.

Lucky, you might wonder? What’s lucky about being run over twice? Well, despite suffering pretty nasty road rash (which took months to heal and has left some scars) in July and awful bruising (which only healed after a few months) a few years back I’ve not broken anything worse than a front fork, some cranks and a pair of glasses. It could have been so much worse. The page my story was printed on shared its space with those of my fellow cyclists and that of James Cracknell. They had proper accidents, the changes they experienced were not just in the mind.

For sure, having been run over – both times – I did not emerge the same person. The first time I found that I changed my riding habits completely. I had been becoming an ever more confident road cyclist, delighted by my shiny new racer and was developing a love of speed. I cannot see how it was my fault to be hit by a driver who put their foot to the floor and accelerated out of a side road into my bike. Yet at the same time my head decided I was too vulnerable and I shied away from enjoying the sport I have always loved. So my immediate reaction to that accident was to cycle less. I regret that.

However, I have always balanced my love of the road with an understanding of the complexity of risk and danger. James Cracknell says “If you are cycling without a helmet, you are being selfish to your family and friends”, he’s wrong. What you are doing is taking a view of the dangers and risks. Now, yes, if you’re going to cycle across America on major roads shared with trucks driving at speed a helmet is effectively mandatory. Arguably so too would be a support vehicle. However, when I ride a Boris Bike (no, Ken Bike, dammit!) and dart a few miles in the middle of a city I simply should not need a helmet. I ride with a helmet on my own bike because it’s more convenient to me to have one, I ride without on a Boris bike for precisely the same reasons.

What was my reaction to my second accident, as an experienced victim of London’s roads? Well, I took things more seriously. I made sure I got checked over, I took some days to let the impact and the most important effects of shock, disorientation and fear to subside along with the auto-immune response, though I think I felt a bit off for a good few weeks thereafter. What I didn’t do was let it affect my cycling. I felt defiant to have been run over again. Road rash was the most challenging thing. Being disfigured on your face, even temporarily has weird psychological effects. No healing is fast enough. I found myself ringing up NHS Direct in a panic one evening. Had someone offered me a leaflet to reassure me and tell me how to heal my wounds I’m sure I’d have felt better. I can see why an accident can make so many change their attitude to something they love.

Weirdly I also wound up learning to drive not much later, and in the process found myself really improving my skills on the road. My instructor was also sensible enough to help me take the skills I learnt as a cyclist into my driving.

Kaya Burgess should be commended for being open and responsive as a journalist in explaining his aims for The Times campaign. His opening piece on Mary Bowers’ accident and its aftermath is a heavily moving piece that explains eloquently why so much of the campaign is necessary. The problem we cyclists face is that we are the victims of chance events which are only predictable and understandable on long timescales. In the timespace of a humble ordinary commute we are only a few glances, one missing signal or a piece of crap road design away from danger.

You could get feart and argue cyclists shouldn’t place ourselves in danger. But to me, cities, roads, these lands are for people. Danger for cyclists means danger for pedestrians equally. And that means we should ensure that when we need to restrain the freedom and simplicity of the motorised brigade to let a vibrant set of users make their city come alive you bite the bullet. Maybe you do build weird cyclist only bridges. Maybe you reallocate road space. It might be tight in London, but that shouldn’t mean we can’t find the space for a single dedicated East-West route for bikes. And if we really can’t, why not take the vision of Crossrail into another mode and make something elevated or tunnelled if we must. Cyclists aren’t going to go away. My favourite cities that I’ve visited lately such as Bilbao delight in understanding that you actually do need to spend money on infrastructure and planning. I don’t want to live in the decaying ruins of a city, I want to live somewhere that changes.

I’m not convinced that The Times campaign has a monopoly of wisdom. Quite the opposite, in fact. It has based itself neatly around the aims that many – especially in London – have had for some time. Elements of what it proposes such as a cycling budget of £100m a year are eminently sensible. However, I do think it could be a lot more ambitious.

It’s a step – for sure – to move up from a laissez faire attitude that cyclist safety is a matter only for cyclists into believing in interventions. However, it’s a further step to match the efforts of our neighbours. We must finally learn from our European neighbours that standardised junction design makes sense and that road space must sometimes be reserved for cycling alone. We should be willing to make it a lot harder for cars to be in our cities. And we must, we must not rest, not for one second until anyone, even a small child feels safe cycling in our communities. We don’t have to tolerate even a single cyclist death in London, if it Paris doesn’t. Cities are for people. The cars are merely for a few who can afford them. We must all be able to get around, and safely.

Actually, I’m the old fart on twitter

The new year came about in slightly odd style for me, confined as I was to bed with a reasonably decent hot toddy. Similarly the news that one Rupert Murdoch had joined twitter caused much consternation. Mostly I was just shocked that it either wasn’t a fake or had managed somehow to fake it’s way into being verified. The fact that it has since proven to be real has, I must say, actually given me some respect for the man. Many a senior employee in many a company would do well to engage with the future rather than rail against it.

So, when did I first join twitter? And why? Well it’s almost four and a half years ago now, or 13,639 tweets ago. My friend Ian (@maniacyak) had recently joined and had been mentioning it for some time. I was massively sceptical as to why I would use twitter when the only use I could see for it was updating my FaceBook status. I couldn’t see the use in yet another social network. Here’s my first tweet:

Boring, isn’t it? It drew comments on FaceBook and no response whatsoever on twitter. I duly followed @maniacyak back for snaring me in and then a few of my other friends joined over the coming months, but I hit a problem. I had nothing interesting to say I wouldn’t rather blog or place on FaceBook, and not enough interesting people to say it to or to read things from. I’d log on to twitter.com every so often read the few tweets that had appeared since I last logged on and then leave.

I didn’t tweet properly until part-way through the following year, 2008, when I finally realised that a few more people were joining. There were two things that held me back from tweeting much at that time, the lack of an audience and the lack of a client. Now, sure twitter had a mobile website of sorts, but I had a paltry Nokia N80 then a reasonable Nokia N95 8GB. It was only by the spring of 2009 that a twitter client of any quality appeared on the Nokia platform in the guise of Gravity.

Maybe I am laying on the “you young kids, I had it hard in my day stuff here” heavy but I do find it interesting that the first two years I used twitter I had to use it without an app. Indeed, at one point I was sat away from an internet connection wanting to tweet but being unable and did this:

This and some of the things I used to post on this blog make me realise now that on reflection I always had plenty of things that would have been well expressed on twitter but just didn’t have the network or the apps to do it with. Witness, for example my comprehensive blog response to 9/11 or the phlog I updated when I first moved to London which frankly would have been a lot better on twitter.

It’s striking to me just how complete twitter is now, and how obvious it seems in retrospect. The whole system achieves a lot and I do puzzle at those who haven’t found some use for it, not necessarily that they might use it just as I do, especially as that changes from month to month. Much as FaceBook hit a point where suddenly it seemed like it was rare to find someone without an account rather than with, twitter has in the past year started to feel like it was a complete network.

There’s a flip side to this. Many of us who’ve been on twitter a while have felt safe in it as some kind of tech-savvy web-savvy haven which goes up against the mainstream. Well, bad news, for a while now it’s just been another tool everyone uses. Folk like Rupert Murdoch will join in their masses throughout this year, but there’s nothing wrong in that. Likewise, I fear twitter has of late uncorked my thinking, writing, expressive internet muse and I’ll be blogging a bit more regular again. Might be something wrong in that. There was an argument in here somewhere…

Twitter’s great isn’t it?

Six Great Albums of 2011

Another year, another format for my best music of the year. This year, I’m dividing into three parts: my favourite six albums, my favourite tracks and my favourite old music.

So, to kick off here are the six albums from 2011 that I really enjoyed in 2011. There are lots of surprising omissions from this list, as a lot of artists that I really like and even saw live such as St Vincent, Amon Tobin and Devotchka had new albums this year. But, much as I enjoyed a few tracks from each of their albums I didn’t actually get into them as albums. It really was in many ways a year of rather disappointing albums. However, these six are really damn good. None of them are début albums, though some marked new directions whilst others put a level of polish on that made for supremely easy repeat listens. There is an order to this list and I’ll go in reverse order.

6 – AM & Shawn Lee – Celestial Forces [spotify]

I’ve been listening to a fair chunk of multi-instrumentalist and sometime Ping Pong Orchestra man Shawn Lee for a while and have liked the odd track but never quite fell fully into any album (other than the Bully game soundtrack). This transatlantic collaboration with AM produced a surprisingly great record with a genuinely warm down-tempo retro sound and some pretty melancholy lyrics. I could happily rest in many a park over the summer with this coursing through my ears.

5 – Pete and the Pirates – One Thousand Pictures [spotify]

I came to Pete and the Pirates due to becoming obsessed with Tap Tap, lead vocalist Thomas Sanders’ side project last year. Somehow, I never quite took to Pete and the Pirates the same way but with their third album I think they’ve captured some of that magic into their main sound, perhaps because they’ve dropped the guitar sound a bit further back in their mix to focus on Sanders’ rather appealing vocals whose higher notes just reek beautifully of the angst of young men. What grounds this album nicely is the way it picks up from ordinary lives and paints them into exciting little moments of melodrama. And there’s a lot of singable choruses. This is the kind of We All Drink And Try To Have Fun music Hard-Fi wish they were. And yeah, maybe it’s a bit more mainstream than normal for me.

4 – The Advisory Circle – As The Crow Flies [spotify]

The Advisory Circle is one of a number of particpants in the Ghost Box record label and is actually a moniker for one Jon Brooks aka King of Woolworths whose earlier works I’ve mentioned here before. There is a theme of Public Information Films, 70s discomfort (perhaps even 70s disco) and intricate electronica with odd perhaps found, perhaps not spoken word sections. I think As The Crow Flies is a simply perfect album, one of those rare items I can point to that got influenced massively by Boards of Canada but is also a little weirder, a little stranger and entirely itself.

3 – Andy Meecham – Monophonic Volume 1 [spotify]

Andy Meecham – Oberheim Sem (Taken From Monophonic Vol.1 on Nang Records) by Exploding Art Promotions

Now Mr Meecham is another man known in many guises, one half of Bizarre Inc and hence also half of Chicken Lips I first came to and worshipped him seven years ago for the first Emperor Machine album. He’s now releasing under his own name (!) and setting himself the stiff target of making tracks using a single synthesiser, rather than the massively indulgent synthrepair.com reliant range of synths he was using on the similarly retro Emperor Machine project. This is absolutely glorious progressive synth stuff, with the same intriguing Radiophonic hues throughout that made me love Emperor Machine so much and yet refreshingly new in direction and tone. I can’t wait for volume two.

2 – Metronomy – The English Riviera [spotify]

Alright, I admit it, I got snared in by The Look as a single. But then I wound up buying the album a few weeks later and was utterly bewitched. This is a fascinating album in many ways. It represents a different, certainly more broadly appealing sound than their earlier work, though it had me diving back for their earlier far more electronic and angular work. In a year when England didn’t really have a summer this let me have one every single time I played it.

1 – Misty’s Big Adventure – The Family Amusement Centre [not on spotify :( but their earlier stuff is]

I’ve been raving about Misty’s on here for about five years now. A few albums and a world of grumpy fun later they wound up having to finance the release of their latest album themselves in a fan funded campaign on pledgemusic. Quite why that should have happened escapes me, as this is easily their finest album and it’s probably no exaggeration to say I’ve listened to something from this most days since I got it.

Why is this? Am I just a crazed fan then? No, The Family Amusement Centre is the perfect balance. Yes, Misty’s are not creating perfect happy accessible pop songs. Yes, they do purposely make pretty odd songs. Yes, Gareth’s voice is not quite that of an angel. But, thing is, Misty’s are a band packed full of musical talent and knowledge who’ve just kept going and are always a blast live. Just Another Day and Cheer Me Up leapt out from the album to soundtrack my summer. They’re not entirely happy songs, but they are optimistic despite talking of life in it’s complexity.

DISCLAIMER: Yes, I am a massive Misty’s Big Adventure fan. Yes, I paid something like £60 to get a special box set from the band when they were seeking support to get this put out. But no, I did the same for They Might Be Giants and their new album was, frankly, crap, so it’s not just my emotional and monetary investment combined. Yes, they’re a bit odd. Watch my playlist of their fantastic live gig in London in November.

FURTHER DISCLAIMER: I’m sure Misty’s next album will be even better, save your money for that.

Want a Biscuit? You can’t have one!

What happens when I buy one second hand book…

02/11/2008
Well, maybe I should stop now. Nah. I’ve been collecting out of date non-fiction second hand for some time now, and above is my current collection of Penguin Pelican books displayed atop my recently acquired terrifying duvet cover.

What makes me so fascinated with these? you might ask. To an extent I’ve bought more as I’ve worked out why, but turning back to the first I bought reveals a few reasons.

Firstly the cover designs are sharp, simple and interesting.
The Future Of London by Edward Carter

Secondly there’s usually some interesting illustrated content inside them which, quite simply, would not get published in the same form today, for good or ill. (look at that map!)
The Future Of London by Edward Carter

But lastly and most importantly there ‘s the fascination of the road not taken. I’m a big fan of alternate histories in fiction and that’s translated into being a fan of alternate futures in non-fiction.

Anyway, I’ve decided I’m going to stop buying them for a bit and start blogging about a few more of them instead. There seems to be little else online on them bar this gallery of covers and a bare listing of the early works so I figure it’s a collection worth sharing.

What happens when I watch one thing…

So Ian (whose fault it usually is) sends me a link to this nifty video of tilt shift shenanigans in motion video form.


Beached from Keith Loutit on Vimeo.

I realise I rather like the soundtrack and google it finding out that it’s by Sonido Lasser Drakar who have an album on emusic.

And before you know where you are you’re listening to an electro remix of the Knight Rider theme.


Pontiac Firebird by Sonido Lasser Drakar

Just a normal evening in really. One of these days a similar link from Ian will push me over the edge and I’ll given in and buy either a Pentax K20D or a Nikon D90.

More fun than tidying my room…

After several years of using flickr it seemed like a nice time to finally sort out my flickr profile, here’s the first paragraph:

My Flickr Profile

It seems only fair to have a proper profile when you’re adding total strangers to your contacts list, and it’s nice to have some sense of history to my photography. I might almost believe I’ve taken a good photo once now. Anyone feel like swapping testimonials?

Misty's Big Adventure

Erotic Volvo

Right, that cements it. After my fourth Misty’s Big Adventure gig I am now happy to say that they are my favourite band in the world ever. I’ve not danced so much at a gig in ages. My favourite song of the evening was I Can’t Take The Time Back or as I originally called it on here:

the amazing song they played when I saw them at the 100 Club (Something about taking the time back)

That blippy keyboard bit at 2:15 or so gets me every time. Their new album Television’s People is out now and is rather marvellous. I’d show you the cover but the lyrics sheet produced in the style of Radio Times is rather more exciting to me.

Misty's Big Adventure - Television's People Lyrics Sheet

Some of you have dared ask for a guess at my favourite music of 2008 already. With only Of Montreal and Tim Ten Yen yet to play their hands Misty’s do look like they are in a good position for the coveted number one slot in my year end round up. Although thanks in no small part to my colleague Alister I’ll be waxing lyrical about oddball oldies as well such as the Joe Meek produced Dumb Head by Sharades.

All I Could Do Was <EMBED>

The rather lovely Port O’Brien have made a video for the excellent song I woke up today. Over at Stereogum you can grab the song as well, it’s ace. And there’s two more songs on their site as well.

Had the album for a wee while, it’s a grower for sure.
[cdbaby] [emusic]
(though ignore the folk on emusic who think it’s arcade fire light, it’s just good honest music with less hype than arcade fire)

Unclaimed Territory

02/06/2008

I pass this garden near my home very often. I’ve now noticed after the fence panel has been blown in that it appears not to be attached to any house and is in fact just an island of garden hemmed in by fencing on all sides. I wonder how long I’d have to pitch a tent to claim squatter’s rights…